This Floating Excrement Was Way Too Symbolic! These Are the TV Disappointments of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of series stand out not for their excellence, but for their notable shortcomings. From cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with woeful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the final series began, it looked like it had at last hit its stride. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final season. It concluded on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too symbolic. Yet, viewers certainly found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this show's problems. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to start listing the flaws. The hilariously leaden dialogue? The mind-numbing veneration of affluence and consumption? The seemingly deliberate parade of cliches? Performances so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to endure close contact with this charming but flippant egotist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling dialects. But there were many other issues. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you view them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for some reason, this documentary series chose not to explore them. Rather, the experience was like reading a sales catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series struggled painfully to find the right voice, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit exploits as she undertook her most extreme challenge yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Christina Woods
Christina Woods

Maya Chen is a tech journalist and startup advisor with over a decade of experience covering Silicon Valley and global innovation hubs.